Monday, November 02, 2015

Show Time By Phil Harvey Blog Tour

 Future viewing audiences have become totally desensitized to violence and entirely dependent on sensation to escape their boring workaday lives—an addiction nurtured by the media with graphic portrayals of war and crime and with so-called reality programming. Now, TV execs in pursuit of the only things they care about—higher ratings and bigger paychecks—have created the ultimate reality show: Seven people, each bearing the scars of his or her past, are deposited on an island in the middle of Lake Superior. Given some bare necessities and the promise of $400,000 each if they can endure, the three women and four men risk death by starvation or freezing as the Great Lakes winter approaches. The island is wired for sound, and flying drones provide the video feed, so everything the contestants do and say is broadcast worldwide. Their seven-month ordeal is entirely unscripted, they can’t ask for help or they forfeit the prize, and as far as the network is concerned—the fewer survivors the better.
Amazon http://www.amazon.com/Show-Time-Phil-Harvey-ebook/dp/B007S0017C/
Apple  https://itunes.apple.com/us/book/show-time/id553502478?mt=11
Barnes & Noble  http://www.barnesandnoble.com/w/show-time-philip-d-harvey/1104872447?ean=2940014578028





Q&A INTERVIEW

PHIL HARVEY

Phil Harvey is an award-winning author, philanthropist and libertarian whose stories won a prize from Antietam Review and were nominated for the Pushcart Prize. His dark fiction and controversial ideas have broadened debate on violent entertainment, relationships and sexuality. At the core of his fiction stand the motives, methods and goals of the characters. Here he talks about his latest novel Show Time and the release of three new collections: Wisdom of Fools: Stories of Extraordinary Lives, Devotional: Erotic Stories for the Sensual Mind, and Across the Water: Tales of the Human Heart.

Q: Your three new books are collections of short stories in which characters touch something important in themselves or in others.

PH: The centerpiece of my fiction is always the individual. I like to put characters in demanding physical/psychological settings that force them to respond. Frankly this saves work and imagination because some responses are fore-ordained. Other ideas come from experience. Fly fishing. Sex. Upbringing. And so on. Some ideas even spring from other books. Really, the stories run the gambit. A few end in death, one in time travel, a few in redemption.

Show Time engages with seven people and their idiosyncrasies, lust, belligerence, and desire to survive. How they are attracted to each other, how they fight with each other, how they sometimes undermine and then strengthen each other. They boil, they confer, they fight, they make love—but overall, they must survive.

For all my characters, life goes on but is changed.

Q: Tell us about Show Time. The novel challenges seven reality show contestants with the possibility of starvation or freezing to death.

PH: My book explores the use of violence and death as entertainment. We already have real-world examples like the potential fatal violence that helps fuel the popularity of car racing. We like violence. It fascinates us. That’s why it leads the news every night. My idea is that policymakers someday will, perhaps without knowing it, encourage certain kinds of violence to keep people satisfied. Presidents like wars—even though they won’t admit it. Wars unify us. We always support the troops. So deliberate steps to encourage controlled violence are not so farfetched.

Q: Your fiction is occasionally threaded with darker impulses. Why delve into the shadow side?

PH: A wise writing instructor once said, “People don’t read nice. It puts them to sleep.”

I write dark-side fiction because that’s the only kind people read. I am not especially interested in venality, violence (which I really do not like), human weakness, etc. but these are essential elements of fiction. Of course we’re all fallible, and some of my fiction reflects this theme.

In Show Time, the producer arranges for a murder to happen on the show because her entire focus in life is on her ratings. Nothing else matters. We humans can get blinkered that way and occasionally take desperate measures to keep things on track. That’s true reality. But overall, I write in this vein because it is artistically satisfying and readers demand it.

Q: In Beena’s Story an Indian woman is disfigured by acid, in Virgin Birth a surrogate mother is attacked, and Show Time explores personal and social violence. How do you address violence without becoming graphic?

PH: Writing that is too graphic turns people off. Different readers (and writers) have different limits; mine are probably about average. Some would say I’m too cautious but bodies run through and guts spilling out simply seem unnecessary and distracting. It comes down to a matter of style. A very clear case is the “cozy.” There’s always a murder but never a body.

Q: These three new books include one that has a more erotic tone yet you don’t shy from sexual activity in stories that aren’t specifically erotic. Is there a line here, too?

PH: As to sex, I think I provided the appropriate amount of detail in Show Time and, very differently, in Vishnu Schist, Swimming Hole, and Devotional. Sex scenes can be sexy, even graphic as in Devotional, but clich├ęs must be avoided like the plague. In Charlie Stuart’s Car got a little close to that, I think. I’ll let readers decide.

Q: How do you align your dark fiction with your Huffington Post article about the world getting better?

PH: The reality is that dark impulses, especially violence, will always be there. The world is getting better in part because we are learning to curb our natural violent instincts. We sublimate by watching violent sports. Boxing. Football. NASCAR. We punish. Murderers and rapists are jailed. And so on.

Backing this up must be the rule of law. People are capable of unspeakable horrors. And that includes nice, civilized people. See the enforcers of the Holocaust. See Uganda. See North Korea. The fact that the government has a monopoly on legal violence (wars, executions, etc.) is a good thing. The great majority of citizens want violence curbed, and only a governmental entity can do that consistently.

So, yes, humans will always love violence (see video games), and in the societies that function best, violence will be sublimated. Hence my novel Show Time. Hence my short story Hunting Dora.

Q: You support the rule of law but some of your stories demonstrate abuses of power. Should readers beware authority?

PH: No society can exist without rules that prevent people from harming others. But the government can be a poor purveyor of justice. Where’s the justice in the War on Drugs? Where’s the justice in taking (by force) billions from hardworking taxpaying Americans and giving it to rich farmers and agricultural corporations? And on and on. The government is necessary for some things, and I appreciate that. An army. Rule of law. Enforceable contracts. But it is not such a stretch to depict the government as complicit (behind the scenes!) in a brutal scheme to satisfy Americans’ lust for violence as in Show Time. Readers should worry, because government’s perfidy is backed by government force. The worst perpetrators of violence have been governments. Stalin. Mao. Hitler. Pol Pot. Dystopian fiction is perhaps popular because in the digital age it seems more feasible. Big brother is watching.

On the other hand, people are generally very good about making decisions for their own lives. Over two centuries or so we’ve seen that life can be pretty successful and satisfying in democratic, free market societies. That’s why messy democracy is so terribly important.

Q: What’s the takeaway for readers of your fiction?

PH: I would hope they have journeyed to a place they would not have seen without the novel or one of the stories…that they experienced it and enjoyed being there, became engrossed, and had the pleasure of a good read. I always welcome emails with serious and thoughtful questions. I invite readers of Show Time to think about the complexities of violence. Perhaps this is worth considering: “War unites us. Love divides us.”

Q: It’s interesting that some of your stories revolve around activists. Your own efforts range from philanthropy to utilizing social marketing to distribute birth control, yet some of your characters view “do-gooders” with sharp cynicism.

PH: We compassionate humans so love to think highly of ourselves that we do “good” things without using the brains god gave us. For a decade the U.S. sent huge amounts of grain to India. Result: Indian farmers couldn’t make a living, Indian agriculture stagnated, Indians were generally worse off than they would have been without our “help.”

Doing stuff that feels good instead of stuff that will acutely help is something I really abhor. Feel-good giving is self-indulgent and occasionally cruel. It’s great to feel superior to that panhandler on the corner, so give him a dollar (and assure the future of panhandling) and think how morally superior you are. Whatever you do, don’t think about how you could actually be helpful. Not emotionally satisfying!

So the cynics in my stories are right, only it’s not really cynicism. It’s clarity. It’s intellectual integrity. If you want to help people then empower them to take control of their lives. And don’t expect gratitude. You’re doing your job; they’re doing theirs.

Q: What’s next for you?

My most promising novel is Just In Time, in which a Wall Street trader is deposited back in the Pleistocene era. The other, Indian Summer, follows a Peace Corps volunteer’s transformation fighting famine in India during the 1960s. I plan to write more short stories focused on the transformative powers of sex and alcohol.

As for myself, I will continue enjoying my married life, being a stepfather, and nurturing my very promising grandkids. And, of course, I’ll continue organizing projects that promote civil liberties through the DKT Liberty Project, work to end the War on Drugs, and debunk yahoos who ignore the reason and science behind immunization and the genetically modified crops that can relieve suffering worldwide.

Super Middle Grade Mondays Blitz: Author Spotlight – Charles Curtis with Giveaway #SuperMGMondays


MGMondays-Bannernew
 
Welcome to this week’s Super Middle Grade Mondays Book Blitz presented by Tantrum Books/Month9books!
Today, we get up close and personal with
Charles Curtis
author of Strange Country Day from Tantrum Books.
Be sure to enter the giveaway found at the end of the post!
 
Charles Curtis
Charles Curtis is a writer and journalist based in New York City. He has reported and written for publications including NJ.com (where he is currently the site’s sports buzz reporter), The Daily, ESPN.com, ESPN the Magazine, Bleacher Report, TV Guide and Entertainment Weekly. Charles has covered the NFL, MLB, NHL, NBA, golf, tennis and NASCAR. He has also written about television, film and pop culture.
In addition, Curtis has also written, produced and was featured in videos for ESPN.com and The Daily. He has made radio appearances on stations including 92.9 The Ticket in Bangor, Maine, WLIE 540 AM in Long Island and on morning shows across Canada via the CBC. He can be reached on Twitter: @charlescurtis82.
Connect with the Author: Website | Twitter | Facebook | Instagram
 
As a young 8th grade writer who published his first story in my school’s literary magazine, I was always encouraged to write what I know.
So when I sat down to write STRANGE COUNTRY DAY, I immediately knew my protagonist, Alexander Graham Ptuiac, would be a tall, skinny sports-loving new kid just starting middle school and trying to fit in. That’s because, at the age of 12, I was a tall, skinny sports-loving new kid just starting middle school and trying to fit in.
Alex’s first day of school starts out with a bang: During 7th grade orientation, he’s pulled into a room with his classmates for a ritual known as “Fresh Meet Friday.” When the event turns into a riot involving the older 9th graders, Alex discovers he has previously unknown superhero-like powers that propel him to punch the ringleader in the nose.
Unfortunately, my first day of middle school wasn’t nearly as mind-blowing as Alex’s, but I did draw a little bit from experience. I attended a private school where I was one of many new kids faced with making friends with a whole new group of students, many of whom already knew each other. Luckily, there were no hazing rituals I was forced to participate in (unluckily, I didn’t have comic book-like powers, either), but in STRANGE COUNTRY DAY, I tried to capture that same nervousness I felt about walking into a –well – strange environment, trying to fit in and attempting to adjust to an increased workload and new schedule.
In the past few years, I’ve often joked about how my interests in those days – I visited a comic book shop once a week to pick up my stack and played the card game Magic: The Gathering every day at lunch – are suddenly trendy now and lamented about how I would have been much happier if I’d been a middle schooler in 2015. But I realize now just how influential both were on my creativity and imagination.
The other huge influence? Sports, of course. I spent countless nights in front of the television (I promise, Mom and Dad, it was after my homework was done…most of the time) or at one of the many New York stadiums/arenas, taking in any and all Mets, Giants, Knicks or Rangers games I could watch. I always wish I could go back in time and tell my middle school self that one day I’d find myself in the press box at those very same arenas and stadiums. Middle School Charles would be blown away.
The one thing that truly separates me from Alex? With the help of those aforementioned powers, he ends up joining his school’s football team as a quarterback. Despite my love for the game of football, I didn’t have half the athleticism to even begin to think about playing on the gridiron.
But hey, adults – especially authors – are allowed to reimagine their pasts too, right?
 
Strange-Country-Day-Cover
Alexander Graham Ptuiac, the son of an inventor, wants to play for the school’s football team. During tryouts, and under the watchful eye of the team’s coach, he suddenly manifests mysterious superhuman powers. Alexander makes the team, but not before the some ill-intended adults take notice, putting his life in danger.
Alex struggles to suppress and control his strange new abilities, worried about exposing his secret and being kicked off the football team. Then he befriends Dex, a diminutive classmate who can somehow jump as high as ten feet in the air. Seems Alex isn’t the only one at school with a secret.
As the school year unfolds, Alex will find himself the target of bullies, holding hands with his first crush and discovering the shocking truth about himself and his parents.
add to goodreads
 
giveaway2
Complete the Rafflecopter below for a chance to win!
 
Chapter-by-Chapter-blog-tour-button